Description Pitchers and Platitudes
Pitcher plants are flushed with red:
Their labial flaps all sanguine
With oxygenated blood,
Their roots: lungs, breathing cold earth,
And lips slippery as slugs,
Sugar-slimed, primed to swallow,
Each long, gaping gullet yawning
With foetid breath. Just so, Death
Is slicked up by our own sick
Confections: that old lick-salve
Of abstract nouns: Honour, Faith
And Glory, those lurking wraiths,
Sweet catalysts of decay ?
The enzymes which numb our pain
As we souls are spluttering,
Drowning, each guttering flame
Sweltering in the grim stoup
Of Remembrance, and watching
The world fade through the stained glass
Of our slaughterhouse-prison:
Little translucent prisms
At which we claw, scrape and flail.
Thus, plants? monumental patience
Prefigures man?s murder-patents:
The hijacked plane, the atom bomb,
The burning boat, the chambered tomb.
Poem by Giles Watson, 2010. I have long been planning a poem inspired by the parallel evolution of carnivorous plants, but chose to turn it into a meditation on Wilfred Owen?s ?Dulce et Decorum Est? in response to Carol Ann Duffy?s own appropriation of his ?Anthem for Doomed Youth? (?Passing Bells?, New Statesman, 11 October 2010, p. 55.) Pitcher plants of the genera Sarracenia and Darlingtonia offer insects a ?gift? of nectar at the ?lip?, which entices each victim down a slippery tube, from which there is no escape. In Darlingtonia, ?The green tube is veined with red; the hood and top of the tube are thickly clothed with whitish, translucent windows through which trapped insects might vainly try to escape until, exhausted, they fall into the depths.? (Alexander F. Skutch, Harmony and Conflict in the Living World, Oklahoma, 2000, p. 101.)
... written by Carolyn Harrelson,
October 19, 2010
Giles-Profoundly touching. Brings the readers attention to reality. ..."that old lick-salve of abstract nouns: honour, faith and glory...sweet catalysts of decay"...this is one I won't forget. Thank you!
... written by Giles Watson,
October 23, 2010
Thanks very much for the comment, Carolyn. It's interesting that you quote that particular line: I suspect it comes from having taught First World War poetry in one context or another for a number of years. I have always admired the technical brilliance and beauty of Rupert Brooke's war sonnets, but with retrospect, their naiivety seems so appalling. Vera Brittain writes very well about the impact of idealistic war poetry in 1914, in "Testament of Youth" - I think this may have influenced me too.
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